In Defense of the Genre is a column on BrooklynVegan about punk, pop punk, emo, post-hardcore, ska-punk, and more, including and often especially the bands and albums and subgenres that weren’t always taken so seriously.
Summer is flying, July is a wrap, and it's time to look back on the many great songs that came out under the punk umbrella this past month. I highlight 10 favorites below, but first, some features we ran in July:
* The Callous Daoboys' mathcore is for everyone: "I don’t want to be this middling heavy band, I wanna be The 1975"
* Chamberlain break down every track on their classic Fate's Got A Driver for its 25th anniversary
* Brian Fallon's favorite Gaslight Anthem album Handwritten turns 10 -- a retrospective feature on the album (interview with Brian included) by Owen Morawitz
Jim Ward discusses 20th anniversary of Sparta's Wiretap Scars in new interview with members of If It Kills You
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July album reviews: Ithaca, Beach Rats, Anthony Green, The Suicide Machines/Coquettish, End It, Wormrot, Fixation, Stand Still, Spaced, Sonagi, Chat Pile, Fresh, and Downfall.
Newly-added punk vinyl to our store: the new OFF! album and reissues (translucent color vinyl), the new Armor For Sleep album, the new reissue of Cursive's Domestica, the new reissue of Cloud Nothings' Attack on Memory, the new color vinyl Hotelier reissues, the new Gleemer EP (half blue/half gold), the new Gogol Bordello album (yellow/blue splatter), the new Wonder Years album (blue vinyl), Modern Baseball, Turnover, Unwound, Jawbreaker, The Offspring, Inside Out's No Spiritual Surrender (purple vinyl), Social Distortion's Hard Times and Nursery Rhymes (opaque spring green vinyl), One Step Closer's This Place You Know (cloudy dark blue), Taking Back Sunday's Louder Now, and much more.
Read on for my picks of the 10 best songs of July that fall somewhere under the punk umbrella, in no particular order...
Pool Kids - "Arm's Length"
If you've read anything about Pool Kids in the past few years, you've probably read that Hayley Williams posted an Instagram story about them in 2019 that said "this is what [Paramore] WISHED we sounded like in the early 2000s," a co-sign that singer Christine Goodwyne was very happy to have been given. And yeah, sometimes Pool Kids sound a little bit like Paramore, but they approach their music and combine different influences in a way that's entirely their own. Their 2018 debut LP Music to Practice Safe Sex To had lo-fi production and knotty Midwest emo riffs and sounded -- to quote Zoe Camp -- "kinda like Hayley Williams fronting Cap’n Jazz," but their newly-released self-titled sophomore album is a totally different ballgame that wholly embraces glossy production and pop hooks while still maintaining the band's DIY emo roots. If you're gonna compare it to Paramore, it's maybe like if After Laughter still had some songs that sounded kinda like Riot!, but honestly, Pool Kids just sound like they're carving out their own path. In a world where people fight less and less about "real emo," Pool Kids sound like a band who think the underground DIY stuff and the MTV-friendly third wave stuff are just as "real," and elements of both come through on their new album. One of the album's best examples of this is recent single "Arm's Length," which also has one of the most entertaining videos I've watched all year.