Renaissance, Beyoncé's first album in six years and first since her world-conquering Lemonade (which we named the 8th best album of the 2010s), is finally here. We don't wanna rush judgement on one of the most widely-anticipated albums of the year, but it's hard not to have some immediate thoughts on something you've been waiting this long for, and here's one: it's really fucking good.
"Creating this album allowed me a place to dream and to find escape during a scary time for the world," Beyoncé said in a message posted to her website. "It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom. It was a beautiful journey of exploration." Renaissance does indeed feel like escapist art, and Beyoncé sounds freer than ever on it. Having made plenty of explicitly political art over the past decade, releasing an album this joyous in the face of *gestures at everything* feels like a political act in and of itself, and a lively album like this might be just what the world needs as we slowly return to the possibility of communal gatherings. "I hope you find joy in this music. I hope it inspires you to release the wiggle," Beyoncé adds. Judging by the universally positive reaction that lead single "Break My Soul" has gotten so far, I have a very good feeling that it will.