They don't make 'em like Big Thief anymore. In an age where so many indie rock bands are technically solo projects, and where trading files over the internet has often replaced working out ideas in the practice space, Big Thief entirely avoid both trends. It's tempting to see frontperson Adrianne Lenker as the band's leader, but she, guitarist Buck Meek, bassist Max Oleartchik, and drummer/producer James Krivchenia are a true democracy, and they've said in multiple interviews that they won't do anything unless all four of them agree on it. At the height of the COVID-19 pandemic, the four of them camped out in a house in the Vermont woods and just wrote as many songs as they could, collaborating on each other's ideas, letting themselves chase whatever musical impulse they had, and often recording while writing and keeping first takes to maintain a sense of spontaneity. "Music sounds better when people play it together," James Krivchenia told Sam Sodomsky in an interview with Pitchfork. "We could touch it up, but then you’d just sound like everyone else who knows how to touch their music up. It’s really easy to do that—which is why a lot of music sucks ass."
Big Thief's members are old souls, but their music never comes off like they're yearning for the "good old days," or even that they believe such a thing exists. They do often look to the past, but only in hopes of changing the future. Despite their music -- and values -- being at odds with so much of the modern, big-ticket indie rock world, Big Thief have found themselves at the forefront of it, a position that they do have mixed feelings about. "We’re part of the machine, and I haven’t figured it out yet, but I want to change things from the inside out," Adrianne told Jonathan Bernstein in an interview with Rolling Stone. "It’s a male-dominated, white-supremacist industry, and I’d like to carve out spaces where people aren’t being pigeonholed because of their gender, their color, their sexual orientation." Big Thief's music is as progressive as their worldview, and with their new 20-song double album Dragon New Warm Mountain I Believe In You, they've written some of the most forward-thinking guitar/bass/drums-based music released this decade.