In a 2020 interview with The New Yorker, saxophonist Pharoah Sanders, who turned 80 last October, said he hadn’t been listening to records for a while. “I listen to things that maybe some guys don’t,” he said. “I listen to… Read More
Twenty years is a long time to do anything, no matter how well you do it. Even for an artist as restless as English electronic polymath Chris Clark, 20 years of poking and prodding at his hybridized sound might lose… Read More
Sometimes, particularly these days, those in search of grace find they must create it themselves. In the Callao district of Lima, Peru, for instance, crowds of outcasts including transgender individuals and people surviving homelessness and poverty gather to worship a… Read More
The history of electronic music, particularly in the UK, has been one of fractures and splits, as ever more specific styles and subgenres spin off into their own orbits. Special Request (aka Leeds’ Paul Woolford) is one of the enlightened… Read More
In a city of 23 million, Ahmed El Ghazoly sometimes had trouble finding a receptive audience for his brand of club music. “My stuff is too weird for Cairo,” he told The Wire a few years back. In fact, El… Read More
When he’s not writing music as Mr. Mitch, Miles Mitchell runs a record label (Gobstopper), raises his growing family in southeast London (they welcomed a daughter last April), and holds down a full-time job. When venues are open, he’s one-quarter… Read More
Striving to offer his best through music, John Hairston, TFMOM, recently released a new track titled “I Don’t Mind (Pink Lemonade)” featuring Tek Savvy. The artist is a Christian rapper, DJ, and producer who, staying true to his religious roots,… Read More
Before they became synonymous with heady, ethereal synth pop, Japan started out under the sway of Bowie and Bolan. On their first two albums, Adolescent Sex and Obscure Alternatives, both released in 1978, singer/guitarist David Sylvian affected a nasal sneer… Read More
As a Japanese initialism, “BGM” stands for “background music.” It’s meant to evoke the blissful ’80s ambient work of Yellow Magic Orchestra’s Haruomi Hosono, the kind of idyllic music that wafts from hip mass-market clothing stores or loops quietly under… Read More
It’s almost impossible to talk about the renewed interest in Japanese music in the West without invoking the YouTube algorithm. The meteoric rise of city pop, as well as the ambient music that’s come to be known as environmental music,… Read More