Sondre Lerche just released Avatars of Love, a sprawling, wildly ambitious and often brilliant 14-song, 85 minute double album. “This is without a doubt the biggest, boldest, most complex thing I’ve ever done,” Lerche says. “At the same time, it was also the easiest, most natural, and most liberating. As an artist, it’s the kind of project you always dream about.” You can read our Indie Basement review and listen to the album below. Sondre also just released a video for "Alone in the Night," Avatars of Love's gorgeous closing track that's a duet with AURORA. Watch that below, too.
We asked Sondre to tell us a little more about the influences behind Avatars of Love and he returned with a supersized list -- this one goes to 11 -- that includes music (Joni, Jobim, Sinatra, Swift, more), movies, books and podcasts. It's a great read-along with the album and you can check it out below.
Sondre will be on tour with mmeadows starting April 29 in Vancouver and will play NYC on May 21 at Le Poisson Rouge. All tour dates are listed below.
Joni Mitchell There's no longer any specific song or album for me with Joni, it's just the entire body of work. Her way with words, melody, chords, life, it's all become a part of me and made me a much better songwriter and singer.
Hiroshi Yoshimura - Green This album from 1986 really gave me a kick that I passed on to my co-producer Kato Ådland when we recorded stuff for Avatars Of Love. There's always been a tricky paradox between some of my sonic influences from ambient and experimental music and the rigidity of most of my song and chord structures that's made it hard to fully incorporate my more abstract, minimalist leanings. But on this album the songs finally had room to explore more of that, and ironically, I think it was the precision and importance of the lyrics that gave the songs more room to linger and breathe sonically also. Discovering Hiroshi Yoshimura, Haruomi Hosono, Susumu Yokota, and so many other experimental Japanese artists has been so refreshing for me.
Brian De Palma's Body Double I've always been inspired by some of the films and themes of Hitchcock, also visually, in videos, of course. But recently I became interested in one of his most ardent imitators and admirers in film, Brian De Palma. The video for "Cut" is obviously inspired by De Palma's Body Double, which I just got to screen and present at an old cinema in Oslo. It's so outrageous, that movie. Stupid and clever and sleazy and sophisticated in equal measures. I like that, and it captures the theme of performative love and seduction really well, which is a major theme on Avatars Of Love.
Frank Sinatra - Watertown I had loved this album for many years, but I started playing it again at the beginning of 2020, while I was doing a self-inflicted study on male sentimentality, leaning into my nature. This album captures that really well, even when the lyrics are not that good.
Antonio Carlos Jobim - "Waters Of March" This song has always been with me, since my guitar teacher started trying to teach me to play it when I was 10, because I wasn’t doing my classical guitar homework. I never quite grasped how to play it, but the song itself is a mystery that’s grown inside of me, and that is more influential on my work now than ever. Musically, it identifies some descending chord progression that are essential to what makes me tick. Lyrically "Waters Of March" feels like it’s about EVERYTHING, and that’s the feeling I was left with when I wrote "Dead Of The Night," which I just recently realized borrows its title form a line in "Waters Of March," so I guess it adds up.
Virginia Astley - "Some Small Hope" There’s actually a bonus track on the double CD edition of Avatars Of Love where I repeat over and over again "Won’t you play it again / Some Small Hope / Won’t you play it again / For me / and Sunset Tower in the rain." I was obsessed so much over this song when I found it. It’s one of the most beautiful creations I’ve ever known. And the fact the David Sylvian joins in, AND Ryuichi Sakamoto co-wrote it… it all makes sense. It’s such a treasure. I just want to be close to it, and it has inspired me so much.
Artist Nikolai Torgersen (@emogutt) I’ve known Nikolai since 2014, and he’s always been an incredible artist and force. At times I worried about him, as he spiraled into addiction and destructive modes. And then, in the fall of 2020, he got clean and started making these incredible new pieces. Personally, I felt I was on a roll, writing and recording the most gratifying and important work of my life, and I could easily tell that he was on fire in his process. So I reached out and asked if he’d be interested in drawing all the art for my album. He said yes, and we’ve worked closely for over a year now, resulting in not only the artwork for the album, but an entire art exhibition that opens in Bergen on the eve of the album release. All the works will be auctioned off and the money given to families who struggle with addiction and aid to the people of Ukraine.