Gaspard Augé
If EDM had been created in the 1970s, it might have sounded like Escapades, the debut album from Gaspard Augé, better known as one half of French electronic duo Justice. Like EDM, Escapades is utterly in thrall to scale, an… Read More
If EDM had been created in the 1970s, it might have sounded like Escapades, the debut album from Gaspard Augé, better known as one half of French electronic duo Justice. Like EDM, Escapades is utterly in thrall to scale, an… Read More
Brian Eno was wrong when he declared that ambient music “must be as ignorable as it is interesting.” In reality, there’s little in music that’s as powerful as ambient; its effects on the mood of any given space take hold… Read More
In 2017, Alessio Natalizia made an interesting claim about the brusque, intelligent dance music he was making as Not Waving: “We live in such a fucked-up world, so it’s important to make some optimistic music once in a while,” he… Read More
In his work as Murcof, Fernando Corona has long shown a talent for drawing beauty out of bleakness. On his earliest albums, 2002’s Martes and 2005’s Remembranza, the Tijuana native fused the timbres of contemporary classical with the tonal and… Read More
Leon Vynehall loves a good story. Back in 2014, the UK artist’s breakthrough mini-LP, Music for the Uninvited, was rooted in childhood memories of the mixtapes his mother used to play in the car, while 2016’s Rojus drew parallels between… Read More
Azu Tiwaline has spent a lifetime wandering. She grew up in the West African nation of Côte d’Ivoire, the child of a Tunisian Berber mother and Cambodian father, but moved to France as a teenager. As an adult, she began… Read More
One of music’s chief pleasures is the way it conjures up a sense of the now, of displacement from the rest of the world into moods and grooves and hooks and melodies. But nowness isn’t just about sonic immersion, it’s… Read More
Like so many forces of electronic music—see Warp co-founders Steve Beckett and Rob Mitchell, or Kelly Lee Owens—Japanese producer Yoshinori Hayashi spent formative years working in a record store. Hayashi’s time at Tokyo’s Face Records comes through in his genre-melding… Read More
After the dissolution of Japanese techno-pop pioneers Yellow Magic Orchestra following 1983’s Service (their final album until the one-off reunion Technodon a decade later), each of its members were eager to go their own way. Reluctant to call it a… Read More
For Florian T M Zeisig, ambient music is as driven by ideas as it is by immediate feeling. As one half of the Berlin new-age duo OCA, the sound artist has used samples cribbed from YouTube synth demos to explore… Read More