If the Ramones had grown up on Tangerine Dream and modular synthesis rather than classic rock and bubblegum, they might have produced something like Translate, the first solo album in six years from Norfolk, England producer Luke Abbott. That’s not… Read More
Unlike the howling sirens that opened A.k.Adrix’s debut, the chaotic and aggressive Album Desconhecido, the Portugese electronic producer’s second LP begins, instead, with a deep breath: tender “ooh-oohs,” delicate piano trills, and syncopated beats that crackle like static. It’s soothing,… Read More
Eight months into pandemic-adjusted reality and the netherworld of dance music has reached a critical point. Disco lights are gathering dust. All new techno releases have surely been completed with the present situation in mind: a home-listening scenario which favors… Read More
When the trio of Midwest malcontents in SALEM released their first EPs over a decade ago, they, like many young people in America, were staring down a dead end. As the critic Larry Fitzmaurice pointed out last year in an… Read More
The underlying theme of Ela Minus’ music is the idea that resistance grows from everyday practices. There are whispers of this across her meticulously crafted debut full-length acts of rebellion, but it’s Minus’ intricate production that commands the most attention.… Read More
For fans mapping the output British-born, Berlin-based producer Joe Seaton, his Call Super handle was slotted for his pummeling house and techno output, while the Ondo Fudd alias was reserved for his weirder excursions into electro or ambient. But the… Read More
Some artists make being in a band sound like absolutely the worst thing in the world, but not Good Sad Happy Bad (the new name for a rejiggered Micachu and the Shapes), who make you want to dive, headfirst and… Read More
Over the past decade, underground club circuits around East and Southeast Asia have grown from a collection of fragmented markets to an integrated community that’s dedicated to supporting local talents. Projects such as bilateral DJ exchanges and regionally-focused record labels… Read More
The best thing about Sam Prekop’s solo electronic music is the way that it leaves space for the listener. Across three albums—2010’s Old Punch Card, 2015’s The Republic, and now Comma—the Sea and Cake frontman has used modular synthesizers to… Read More
Tricky has always worn his bruised heart on his sleeve. His brilliantly desolate debut album, Maxinquaye, was inspired by his mother, who died when he was four years old, and a song like “Strugglin’” laid bare in excruciating detail his… Read More