Marfa, Texas is famous for its enormous bowl of sky. Just look at it: Here it is glazed pink, here it’s filled with marshmallow clouds, and here it’s spattered like a house painter’s drop cloth. In the 1970s, the minimalist… Read More
A Cleveland native who’s been based in New York for more than a decade, Galcher Lustwerk first appeared in 2013 with the now classic 100% Galcher mixtape. Since then, he’s quietly amassed an extensive catalog while working under a variety… Read More
When DeForrest Brown Jr. says, “Make techno Black again,” it is meant both as a reminder of a historical fact—dance music is Black music—and a rejection of a widespread misconception. To many around the world, techno is the stuff of… Read More
In a 2015 interview, Hungarian sound artist Gábor Lázár said that in his creative process, he is “trying to give different answers to my own questions”; composition, in other words, is inseparable from research. Experiencing Lázár’s music can offer a… Read More
Jayda Guy makes intimate club music that asks big questions. Her 2019 debut album, Significant Changes–a product of the years she spent earning her graduate degree in environmental toxicology while establishing herself as a sought-after DJ in Berlin–explored the ways… Read More
Skee Mask’s music thrives on the friction between opposing impulses. The German producer fuels storming club rhythms with jungle breaks, distorted kicks, and whip-cracking electro syncopations, then swathes them in wispy atmospheric tones, soft as baby’s breath. The end product… Read More
박혜진 Park Hye Jin’s previous solo release, the 2018 EP IF U WANT IT, was characterised by a dreamy electronic mood and laconic vocal style. So it’s a kick in the pants to hear the South Korean house DJ warning… Read More
In 1967, the Canadian composer and philosopher R. Murray Schafer wrote, “The ear is always open.” He didn’t mean metaphorically: Unlike the lidded eye, the ear cannot close itself off to unwanted stimuli, leaving us particularly susceptible to intrusive sounds.… Read More
Braids’ fourth full-length was inspired by a solar eclipse, a phenomena that provides a neat metaphor for frontwoman Raphaelle Standell-Preston’s voice—at once dark and luminescent, fleeting and slightly dangerous. Over the course of their existence, the Montreal trio have evolved… Read More
For a moment, the image was everywhere: the most famous teenager in music, sticking out her tongue and unfurling a shirt reading “No music on a dead planet.” The specter of climate change haunts modern pop: Billie Eilish and Lana… Read More