Loshh

Loshh Aje has PMA in spades. The Nigerian-born, London-based musician doesn’t recoil from the world as it is, and, in his music, searches for a way to express the inherent joyfulness of the struggle to feel okay. That’s how, deep… Read More

Octo Octa

Maya Bouldry-Morrison has spent most of the past two years holed up in her New Hampshire log cabin, exploring the ritualistic nature of club music—the way it can lift you into heightened states of being, for example, or serve as… Read More

Claire Rousay

A hush overtook the room just before claire rousay performed at the small nonprofit arts space Rhizome in Washington, DC last summer. The percussionist sat quietly behind a snare and tom with two microphones placed directly above the drumheads. The… Read More

The Postal Service

They might pal around with Huey Lewis now, but the Postal Service were once considered ahead of their time. Their collaboration, in which they sent each other digital files, is routine today but felt futuristic then, even though they relied… Read More

Nils Frahm

Nils Frahm’s dominant mode is the eyes-closed fantasia: immersive, rapturous, sentimental. That goes for his post-classical solo-piano work, which is indebted to both Keith Jarrett and George Winston, as well as his surging electronic pieces, which translate the grammar of… Read More

Il Quadro di Troisi

If 2020 had turned out differently, the debut album by Il Quadro di Troisi might have been the perfect soundtrack to the arrival of breathless exchange students in Italy’s ornate university cities, its winsome synth-pop spilling out of the headphones… Read More

Shygirl

In the remarkably unsexy year of 2020, you wouldn’t expect an artist to evoke the glowing grime of a club so exactly, but Shygirl manages to do it with her latest EP, ALIAS. Similar to 2018’s Cruel Practice, ALIAS finds… Read More

Emily A. Sprague

In Emily A. Sprague’s indie-folk project Florist—sometimes accompanied by her bandmates, sometimes solo—the Catskill, New York native makes music of startling intimacy. Her last album, the self-explanatory Emily Alone, was as unadorned as a Shaker chair, stripped down to mostly… Read More