It would be too easy to approach ARENA002, the latest release from Argentina’s AGVA Records, as a primer on Latin American club music. Since 2015, the Buenos Aires netlabel has helped nurture a community of experimental producers and created a… Read More
In tarot, the flame-licked Tower card represents a mercurial period of upheaval and personal transformation. After producer and experimental artist Vegyn moved from London to Los Angeles last fall, the foreboding card became a regular appearance in his deck. The… Read More
In a 2020 interview with The New Yorker, saxophonist Pharoah Sanders, who turned 80 last October, said he hadn’t been listening to records for a while. “I listen to things that maybe some guys don’t,” he said. “I listen to… Read More
Okkyung Lee and Florian Hecker (aka Hecker) both find freedom in limitation, channeling the infinite possibility inherent in cello and code, respectively. Their methods sometimes verge on hermetic; some of their weaker work sounds more like a demonstration of every… Read More
Twenty years is a long time to do anything, no matter how well you do it. Even for an artist as restless as English electronic polymath Chris Clark, 20 years of poking and prodding at his hybridized sound might lose… Read More
Sometimes, particularly these days, those in search of grace find they must create it themselves. In the Callao district of Lima, Peru, for instance, crowds of outcasts including transgender individuals and people surviving homelessness and poverty gather to worship a… Read More
The history of electronic music, particularly in the UK, has been one of fractures and splits, as ever more specific styles and subgenres spin off into their own orbits. Special Request (aka Leeds’ Paul Woolford) is one of the enlightened… Read More
Before they became synonymous with heady, ethereal synth pop, Japan started out under the sway of Bowie and Bolan. On their first two albums, Adolescent Sex and Obscure Alternatives, both released in 1978, singer/guitarist David Sylvian affected a nasal sneer… Read More
As a Japanese initialism, “BGM” stands for “background music.” It’s meant to evoke the blissful ’80s ambient work of Yellow Magic Orchestra’s Haruomi Hosono, the kind of idyllic music that wafts from hip mass-market clothing stores or loops quietly under… Read More
It’s almost impossible to talk about the renewed interest in Japanese music in the West without invoking the YouTube algorithm. The meteoric rise of city pop, as well as the ambient music that’s come to be known as environmental music,… Read More