Mouse on Mars believe in the creative potential of chaos. “Music is a strong anarchic force,”Jan St. Werner, a member of the duo, told the New York Times in 2018, effusing about its propensity for mutation and cross-fertilization. In a… Read More
There’s a lot of pain, death, and destruction in the music of the Toronto noise duo Black Dresses. Across four full-lengths—as well as a smattering of EPs and other projects—Devi McCallion and Ada Rook detailed horrors both personal and cosmic,… Read More
2021 was supposed to cement the renaissance of Pauline Anna Strom. The electronic music composer originally self-released her music in the early 1980s, though it never resonated far outside the New Age cottage industry. Her music wasn’t enough to cover… Read More
Black Coffee’s music rarely calls for stillness. The narratives pieced together across his discography concern movement, like the journeys of transient workers on 2005 standout “Stimela,” an intoxicating rendition of the Hugh Masekela joint. Black Coffee’s work also touches on… Read More
Yu Su’s Yellow River Blue nods to China’s famous Yellow River, which flows alongside her hometown of Keifang, in the country’s Henan province. The album was inspired by a 2019 tour across China that took the Chinese-born, Vancouver-based electronic musician… Read More
For Florian T M Zeisig, ambient music is as driven by ideas as it is by immediate feeling. As one half of the Berlin new-age duo OCA, the sound artist has used samples cribbed from YouTube synth demos to explore… Read More
Logic1000 debuted in 2018 with an undoubtedly excellent self-titled EP, packed with tracks that tip between techno, IDM, and garage. The record put her firmly on the map as a producer to watch, and dance heavyweights—most notably Four Tet—championed Logic1000… Read More
Since 1989, in and around writing the bulk of the songs recorded by Depeche Mode, Martin Gore has been slowly building a solo discography. It’s a humble side hustle comprising cover versions or, as on MG, modular-synth instrumentals, some of… Read More
Nearly two decades have passed since the release of the Notwist’s Neon Golden. An ingenious synthesis of indie rock and electronica, the album was a shining example of “plinkerpop,” Morr Music founder Thomas Morr’s term for a wave of delicate,… Read More
To be a follower of the KLF is to be a scholar, an acolyte, a digital monk treating zip files like illuminated manuscripts. Trawling forums and message boards for shards of the apocryphal mythos, sifting through various international versions of… Read More