Annie
More than a few of us, these days, have been keeping an unusual, deliberate focus on our memories as they form: which ones we’d keep, which ones we’d prefer to destroy, whether any were worth keeping at all, and how… Read More
pop
Loraine James
Loraine James’ music often feels like it’s on the verge of tipping into chaos. Competing rhythms run out of sync, throwing sparks as they scrape. Straight lines bend without warning, and smooth surfaces splinter. Rather than conform to a flawlessly… Read More
Otto
At the turn of the century, around the same time as the rise of the Shibuya-kei movement, Japanese producer Nobukazu Takemura was spearheading the development of a style that writer and musician Nick Currie (Momus) would later dub “cute formalism:”… Read More
Isola
The Las Vegas-born musician Ivana Carrescia’s voice flits about the edges of her club tracks like a benevolent ghost. She sings in a downy falsetto that rarely rises above lullaby levels, and she whispers as often as she sings. Her… Read More
Theo Parrish
There are hard truths to be gained from burst myths. So it was in 2017, when I interviewed the respected Chicago DJ/producer Ron Trent about the birth of “deep house,” a dance-music genre often reduced to a palette of muted… Read More
A Certain Ratio
Since releasing their ninth studio album Mind Made Up in 2008, Manchester mainstays A Certain Ratio have been taking stock of their history and settling themselves comfortably in the present. Last year’s ACR: BOX tracked their evolution from the icy… Read More
A. G. Cook
PC Music founder A. G. Cook settled on Apple as an album title, he says, because the word evokes so many things: the eponymous tech company (which, historically, has been regarded as the opposite of the Windows-based personal computer, or… Read More
Avalon Emerson
When Avalon Emerson and her girlfriend made a cross-country road trip from Los Angeles to New York this summer, they shot a set of impromptu videos that neatly encapsulate Emerson’s musical choices and mixing style: kinetic, evocative, and deeply personal.… Read More
Sarah Davachi
In the December 1960 issue of Arts and Architecture, the critic Dore Ashton described the peculiar experience of encountering Ad Reinhardt’s “black paintings”—a series of 60 x 60” canvases that appear monochrome, but that reveal subtle, multicolored geometries upon close… Read More
Various Artists
During his brief, glorious early ’70s peak, it seemed that Marc Bolan could send seismic tremors through the universe with delectable nonchalance. He switched from Tolkien-esque freak folk to Chuck Berry boogie in the span of an album. On a… Read More