A pop diva is poorer without her remixes. Madonna’s dance remixes span Shep Pettibone’s kinetic “Express Yourself” rework to Stuart Price’s revitalizing overhaul of her discography on ’00s tours. Whitney Houston’s club versions brought extra oomph to a joyous NYC… Read More
The two Italian experimental musicians that comprise Bellows arrived at their aesthetic in a manner as oblique as their music. Giuseppe Ielasi, schooled in Derek Bailey and hardcore punk, started out as an improvising guitarist before moving into computer music,… Read More
If you were making a documentary about people who dye their dogs neon hues and trim their fur into the shape of the Cheshire Cat, Dan Deacon would be the first person you’d call for the score. Since his arrival… Read More
Rather than simply releasing the music he had recorded for Derek Jarman’s 1994 film Glitterbug, Brian Eno handed over the score to bassist Jah Wobble, encouraging him to do with it as he pleased, with the results released in 1995… Read More
Producer and composer Ryan Lee West, aka Rival Consoles, makes ambient techno with a volatile soul. His recent records take the same analog approach he developed on 2016’s Night Melody, composing the album using real-life sketches to inform his writing,… Read More
Five months after the release of their duo album Mixing Colours, Brian Eno and his younger brother, Roger, pick up what they’ve called a “back-and-forth conversation” with Luminous, an EP featuring six new tracks and a tune previously restricted to… Read More
Disintegration, decay, black holes… these are a few words that might spring to mind at the thought of ambient composer William Basinski, who has somehow made music from all of the above in the past few decades. Two words that… Read More
The PC Music philosophy boils down to two things. One: Normal people can be pop stars. Two: Avoid the middle ground at all costs. Pop music becomes extreme music in the hands of PC Music’s chief architect, A. G. Cook,… Read More
Jacknife Lee’s discography has historically moved in two very different directions. His production credits for acts like U2 and Snow Patrol display a penchant for self-serious adult-contemporary rock; like the nu-metal mashups of Missy Elliott and Eminem that brought him… Read More
Pontiac Streator’s music seems deliberately engineered to confuse; it arrives without any real clues as to how it’s meant to be parsed. The pseudonymous Streator is based in Philadelphia, but his releases are conceptually detached from place. They don’t belong… Read More