Katy B
Katy B has spent over 10 years as the Cinderella of UK dance: a winsome anti-diva upon whom listeners project all their clubbing thrills and dreams. But her music was never just about the club. Just as often, she sang… Read More
release
You’ll Never Get to Heaven
You’ll Never Get to Heaven’s lucid dream-pop rarely coalesces into recognizable shapes. “We are intuitively drawn to music that occupies a space between intimacy and distance,” says Chuck Blazevic, who shares the duo with his partner, the classically trained pianist,… Read More
GAS
A sea of strings swims into view, and the crackle of vinyl reaches out of the mix like tendrils. The tone is tense, urgent, paranoid, and minor-key, interrupted by long exhalations on a major-key chord. There’s no beat, but anyone… Read More
JJJJJerome Ellis
JJJJJerome Ellis says, “For me, the stutter is a wild animal, and it is my ongoing practice to follow it where it wants to go.” The multi-instrumentalist, writer, and composer frequently lists “stutterer” among his disciplines, referring to his glottal… Read More
Parris
Of all the ways that Parris could have described his long-awaited debut LP, it’s unlikely that “This is an album built on Pop” is what anyone expected. In recent years, pop tropes have become commonplace even in electronic music’s most… Read More
Jon Hopkins
What music should soundtrack the psychedelic revolution? That’s one of many meta-inquiries bewildering neuroscientists as they work to make psychedelic-assisted therapy more widely available—and legal. The music, they’ve discovered, really matters, since it not only supports the trip but can… Read More
MMM
For a quarter century, Berlin’s MMM have crafted rave anthems of unusually potent caliber. The duo of Errorsmith and Berghain resident Fiedel, MMM aren’t terribly prolific. Since their debut, in 1996, they’ve released just seven 12″s, all on their eponymous… Read More
aya
A DJ set from aya can be both thrilling and disorienting, a giddy maelstrom of jungle breaks, Dutch techno, UK funky, South African gqom, and who knows what else—plus edits of Charli XCX and “Call Me Maybe,” for good measure.… Read More
Helado Negro
For Roberto Carlos Lange, 2019 seemed to be the type of year that any songwriter hopes one day to see. After over 10 years of crafting introspective and alluringly amorphous songs as Helado Negro, among other projects, Lange pulled it… Read More
UNIIQU3
On the opening track of Heartbeats, Cherise Gary snarls, “I just want to fuck.” It’s exactly the sort of direct statement you’d expect from Jersey club, the “X-rated” dance music that Gary, aka UNIIQU3, first heard as a teenager in… Read More