Autechre

Machines don’t care. Self-driving cars, data-harvesting algorithms, Boston Dynamics’ hideous quadrupeds—all these things unnerve us in part because we know that they can’t be trusted. They are indifferent to us by design. Autechre have long played to this unease, channeling… Read More

Annie

More than a few of us, these days, have been keeping an unusual, deliberate focus on our memories as they form: which ones we’d keep, which ones we’d prefer to destroy, whether any were worth keeping at all, and how… Read More

Loraine James

Loraine James’ music often feels like it’s on the verge of tipping into chaos. Competing rhythms run out of sync, throwing sparks as they scrape. Straight lines bend without warning, and smooth surfaces splinter. Rather than conform to a flawlessly… Read More

Rian Treanor

In 1962, an American ad man named Martin Speckter proposed a new punctuation mark. The sublimely named “interrobang” combined question and exclamation into a single expression of quizzical incredulity: “What are those‽‽‽” This space-age innovation sadly didn’t catch on, but… Read More

Otto

At the turn of the century, around the same time as the rise of the Shibuya-kei movement, Japanese producer Nobukazu Takemura was spearheading the development of a style that writer and musician Nick Currie (Momus) would later dub “cute formalism:”… Read More