Cakes da Killa knows there’s nothing more lethal than a deep cut swiftly dealt. The Brooklyn rapper is a master of unrelenting flows and skewering affronts, made all the more ruthless by his razor’s-edge humor. On the new EP Muvaland,… Read More
In Emily A. Sprague’s indie-folk project Florist—sometimes accompanied by her bandmates, sometimes solo—the Catskill, New York native makes music of startling intimacy. Her last album, the self-explanatory Emily Alone, was as unadorned as a Shaker chair, stripped down to mostly… Read More
For the past 40 years, Carl Stone has been atomizing recordings of ubiquitous and obscure music alike, transforming his source material into kaleidoscopic fantasies. His electronic compositions, stuttering and illusory, repurpose minute sonic elements from a wide variety of different… Read More
Unlike the howling sirens that opened A.k.Adrix’s debut, the chaotic and aggressive Album Desconhecido, the Portugese electronic producer’s second LP begins, instead, with a deep breath: tender “ooh-oohs,” delicate piano trills, and syncopated beats that crackle like static. It’s soothing,… Read More
Domenique Dumont’s music has traditionally entailed a game of hide-and-seek, concealing vocals behind layers of reverb and placing the drums right up at the front of the mix, daring the listener to dig to get to the center of it… Read More
On June 20, 1969, Mort Garson began his 45th year on Earth hunkered around a television set with family and friends. It was, after all, the day of the Apollo 11 moon landing, but for Garson, the moment held special… Read More
Eight months into pandemic-adjusted reality and the netherworld of dance music has reached a critical point. Disco lights are gathering dust. All new techno releases have surely been completed with the present situation in mind: a home-listening scenario which favors… Read More
Pylon didn’t really want to be a rock band. When art-school classmates Michael Lachowski and Randy Bewley started banging on cheap instruments in their Athens, Georgia, apartment in the late 1970s, they were more into performance art than music. “We… Read More
Jake Muir’s sonic collages, made from vinyl samples and field recordings, pair pristine detail with a shadowy, secretive pulse. His 2018 album Lady’s Mantle was a foray into surf-pop plunderphonics, incorporating aquatic field recordings taken from expeditions in Iceland and… Read More
Since introducing his Tobacco alias in 2008 in the shadow of his more cosmically inclined electro-psych act, Black Moth Super Rainbow, Thomas Fec has been engaged in a prolonged game of, as a track from his debut record put it,… Read More