SHERELLE

When running on a treadmill, it’s advised to slow the thing down in stages before you get off. If you don’t—if, instead, you hop off and go from full tilt to a standstill—there’s a good chance the floor will still… Read More

Nils Frahm

Nils Frahm is no stranger to minimalism, but on Old Friends New Friends, the Berlin-based pianist and composer homes in on every tiny detail. Over the course of the 80-minute solo piano record, he gives each note ample space to… Read More

Rx PapiGud

When baby-faced Swedish rappers like Yung Lean and Bladee first started racking up views in the United States, their viral success was owed as much to the beats as it was the bars. The cooing vocal samples, angelic synths, and… Read More

Parris

Of all the ways that Parris could have described his long-awaited debut LP, it’s unlikely that “This is an album built on Pop” is what anyone expected. In recent years, pop tropes have become commonplace even in electronic music’s most… Read More

Jon Hopkins

What music should soundtrack the psychedelic revolution? That’s one of many meta-inquiries bewildering neuroscientists as they work to make psychedelic-assisted therapy more widely available—and legal. The music, they’ve discovered, really matters, since it not only supports the trip but can… Read More

MMM

For a quarter century, Berlin’s MMM have crafted rave anthems of unusually potent caliber. The duo of Errorsmith and Berghain resident Fiedel, MMM aren’t terribly prolific. Since their debut, in 1996, they’ve released just seven 12″s, all on their eponymous… Read More

Leif

There’s a distinctly pastoral tinge to Leif Knowles’ music: an air of dewy grass, verdant clearings, mist burning off of rolling hills. Though mostly created with synthesizers, Leif’s records are imbued with the sounds of rainfall, birdsong, and wind chimes.… Read More

Xeno & Oaklander

Xeno & Oaklander—the duo of Liz Wendelbo and Sean McBride—came up through Pieter Schoolwerth’s Wierd Nights, an endearingly gloomy fixture of late ’00s New York. In the early days, the pair’s music was of a piece with the sounds popular… Read More

aya

A DJ set from aya can be both thrilling and disorienting, a giddy maelstrom of jungle breaks, Dutch techno, UK funky, South African gqom, and who knows what else—plus edits of Charli XCX and “Call Me Maybe,” for good measure.… Read More

Markus Guentner

The bell sound on “Concept of Credence,” from Markus Guentner’s new album Extropy, is just the bees’ knees. It comes out of nowhere, through a crack in the dense clouds of choir-synth-string-harmonics that form the bulk of the record, and… Read More