LA Laura Paris, a dynamic French pop electro artist, has solidified her status as a rising star with her electrifying debut album Underground Girl. Known as the Glitter Queen, she has taken her eclectic blend of Parisian elegance and Hollywood glamour to a new level, pushing the boundaries of electro-pop. Paris, with her Franco-Belgian roots, brings a multifaceted talent pool to the table, blending musical prowess, visual arts, and dance into a uniquely vibrant package.
Underground Girl opens with its self-titled track, a powerful anthem that immediately grabs your attention with its bold production and vibrant beats. The album’s journey begins here, as LA Laura Paris takes listeners through a kaleidoscope of high-energy dance tracks and intimate pop moments. There’s a polished edge to her sound, which mixes elements of electro-pop with nods to her classical training, resulting in music that’s both accessible and artistically rich.
One of the standout tracks is “Bad Boys,” which combines sultry French lyrics with pulsating electro rhythms. It’s provocative, infectious, and impossible to ignore, with an accompanying music video that only heightens its allure. The song plays into the timeless trope of forbidden love but does so with an unapologetically modern twist. LA Laura Paris dances effortlessly between languages, showcasing her versatility both vocally and thematically.
Another gem is “GAME OVER,” a track that taps into retro, 8-bit nostalgia while injecting it with a fresh, empowering energy. Its playful arcade-style soundscapes reflect the cheekiness of LA Laura Paris’s persona—fun yet commanding, with an air of rebellion that runs through her work. “GAME OVER” is easily one of the album’s most fun and infectious offerings.
Tracks like “Bonbon” and “Je te veux” further showcase Paris’s ability to craft memorable hooks, balancing catchy pop sensibilities with deeper emotional resonance. The sugary sweetness of “Bonbon” contrasts with the smoldering sensuality of “Je te veux,” but both tracks maintain her signature mix of playful confidence and artistic depth.
Underground Girl isn’t all sugar and spice, though. Songs like “Marie Antoinette” and “Bad Bitch” inject a rebellious edge into the album, asserting LA Laura Paris’s role as a pop provocateur unafraid to push against the grain. Her music is a bold reflection of her multifaceted identity, one that has been shaped by diverse experiences, from her time in Paris to her Hollywood collaborations.
The album closes with “Kissing Boys,” a carefree, exuberant track that encapsulates the essence of LA Laura Paris: playful, rebellious, and always glittering with her own brand of unapologetic fun. It’s a fitting finale to an album that feels like a sonic rollercoaster, propelled by infectious beats and Paris’s undeniable charisma.
In a world saturated with electro-pop artists, LA Laura Paris manages to carve out a space entirely her own. Her background in classical music, dance, and visual arts shines through every aspect of Underground Girl, making it not just an album but a full artistic experience. From the pulsating rhythms to the vibrant visuals of her music videos, she is an artist in every sense of the word—melding sound, sight, and movement into a cohesive whole that feels as cutting-edge as it does timeless.
Her Glitter Queen persona isn’t just a gimmick; it’s a reflection of her ability to command attention both on and off the stage. With Underground Girl, LA Laura Paris has positioned herself as a major force in the electro-pop world, one whose star is only beginning to rise.