Age and time have irrevocably shaped Martin Scorsese’s crime films. The veteran director has become synonymous with his trademark explosive, violent, high-energy gangster films like Mean Streets (1973) and Goodfellas (1990). His latest, The Irishman (2019), though, is different; it’s… Read More
Discovering Elvis Costello was probably the sole highlight of my strange and turbulent sophomore year of high school. It probably would have been runner-up had I kissed a girl. By all means, mine is an ordinary account, so I’ll try… Read More
In 1979, King Hu made two epics at once and in the same locations in South Korea. One was the three-hour Legend of the Mountain (Shan-chung ch’uan-ch’i), which PopMatters reviewed here in its Kino Lorber release. Film Movement now graces… Read More
Caroline Shaw is a composer whose approach redefines the term “multifaceted”. The North Carolina native received the Pulitzer Prize for Music in 2013 for her Partita for 8 Voices (the youngest recipient of that Pulitzer category, at age 30). She… Read More
Over the last couple of years, Light in the Attic – a reissue label responsible for lavishly reviving the catalogs of artists as disparate as Lee Hazelwood, the Last Poets, Sixto Rodriguez, and Nancy Sinatra – have been shining a… Read More
In this significant collection of essays and illustrations, curator Milena Høgsberg marvels at the reception to Hilma af Klint’s work at the 2020 exhibition at Moderna Museet, Malmö, Sweden. The question of af Klint’s growing popularity is at the heart… Read More
As the hoary saying goes, old folkies never die, they just keep on playing the same song over and over again. At 67 years old, Rod Abernethy’s been around, and he’s lived long enough to remember the folk revival scare… Read More
In Relic (2020), Kay (Emily Mortimer) accompanied by her daughter Sam (Bella Heathcote), rushes to the family’s decaying country home after her mother, Edna (Robyn Nevin), who suffers from Alzheimer’s, disappears. When Edna returns, her volatile behaviour leads her daughter… Read More
1. Alfred Schnittke – “Collected Songs Where Every Verse Is Filled with Grief” arr. the Kronos Quartet (1997) Alfred Schnittke’s most famous piece is probably known to most through a version not quite his own. Originally composed for chorus from… Read More
“People tend to think,” narrates Dorothy Daniels, who we learn early on is in prison for murder and more, “that the most natural stories begin at their beginning and unwind through their middle to their completion, and sometimes they do.… Read More